Revista Latina

Metadata - 2013

http://www.revistalatinacs.org/068/paper/974_UPSA/08_Huertaen.html
DOI: 10.4185/RLCS-2013-974en

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<title>RLCS, Revista Latina de Comunicación Social</title>
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<meta name="DC.title" content="The image of the Late-Francoist Spain in the films of Manolo Escobar"/>
<meta name="DC.creator.personalName" content="MÁ Huerta-Floriano"/>
<meta name="DC.creator.address" content="mahuertafl@upsa.es"/>
<meta name="DC.issued" content="2013/3/xx"/>
<meta name="DC.contributor.editor" content="JM de-Pablos-Coello"/>
<meta name="DC.contributor.address" content="jpablos@ull.es"/>
<meta name="DC.Date.availableated"lang="es" scheme="iso8601" content="2013"/>
<meta name="resource-type" content="scientific paper"/>
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<meta name="digital objet identifier, DOI" content="DOI: 10.4185/RLCS-2013-974en"/>
<meta name="DC.Description" lang="en" content="Revista Latina de Comunicación Social, RLCS, is a scientific journal edited at the University of La Laguna, ULL (Tenerife, Canary Islands) in the Laboratory of Information Technologies and New Analysis of Communication, LATINA according to its initials in Spanish, founded in 1987 by Dr. José Manuel de-Pablos-Coello, under the protection of special doctorate programmes for Latin American professors. The journal publishes under the main summary almost exclusively research papers written following the formula IMR&DC+B: introduction, methodology, results and discussion plus conclusion, with a updated bibliography: at least 70% of the bibliographic entries must be from the past 10 years and half of them from scientific journals in Spanish and English languages. Reviewers make a double blind peer examination. This is a collective and inter-university project, including many professors and researchers from almost all Spanish and Portuguese speaking countries. RLCS is one of the three Spanish-language journals of communication that are located in second quartile of the GSC, Google Scholar Metrics, with an h-index of 9 (November 2012), which had already increased to 12 by February 2013.The journal is the following databases: EBSCO (USA), DOAJ (Lund University, Sweden), Redalyc (Mexico), Dialnet (Spain); and is indexed by the CINDOC-CSIC in DICE, ISOC, RESH, Office of Latin American Education, OEI according to its initials in Spanish; Dulcinea... and at 2011, in Scopus. In Spain the journal is a reference in the Directory of Index of Spanish Periodicals of Social and Communication Sciences, IN-RECS, of the University of Granada, UGR. RLCS occupies the first position in the cumulative index for the periods 2003-2007; 2004-2008, 2005-2009 and the years 2008. 2009 and 2010. For the fourth consecutive year, in 2011 RLCS was positioned in the top quartile of the Impact Factor Index of the Spanish Journals of Communication (In RECS). In 2012, when Google Scholar Metrics (GSM), the international journal ranking system, was launched, the RLCS positioned itself in the second quartile (Q2), position 90, of the world’s most-cited communication journals, with an h5-index of 9, which increased to 13 in February 2013, when its global h-index was 15"/>
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<meta name="DC.description.abstract" content="ABSTRACT: As part of a research project that examines the 200 most popular films during the Late-Francoist Spain, this article offers a qualitative analysis of the ten films that were produced from 1966 and 1975 and were starred by the actor and singer Manolo Escobar, who was the most profitable artist of that time and delivered the most explicit messages. The analysis focuses on the values, ideas and beliefs transmitted by these films, which were presented to the public as just entertainment but were in essence ideological vehicles. The male dominance, the subservience of women, the exploitation of other Celtiberian issues that had relevance at that time, the glorification of the all things Spanish when in presence of foreignness are some of the characteristic features of these musical comedies whose happy endings suggested that success was within the reach of anyone who complied with the prevailing codes of conduct of the late-Francoist Spain."/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.keywords" content="Keywords: cinema; ideology, late-Francoism; musical number; story, aesthetics."/>
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<meta name="DC.publisher.corporateName" content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación, LATINA"/>
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<meta name="DC.identifier content="http://www.revistalatinacs.org/068/paper/974_UPSA/08_Huertaen.html"/>
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<meta name="DC.identifier" content="http://www.revistalatinacs.org/068/paper/974_UPSA/RLCS_art974en.pdf"/>
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<meta name="DC.relation.isPartOf" content="1138-5820" scheme="ISSN"/>
<meta name="DC.rights"content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación, LATINA"/>
<meta name="DC.TERMS.bibliographicCitation" content="The image of the Late-Francoist Spain in the films of Manolo Escobar”, at  Revista Latina de Comunicación Social, 68. La Laguna (Tenerife): La Laguna University, pages 182 to 208 retrieved on ___ de ___th of ____ of 2_______,
from http://www.revistalatinacs.org/068/paper/974_UPSA/08_Huertaen.html
DOI: 10.4185/RLCS-2013-974en/CrossRef link"/>