Metadatos. Revista Latina de Comunicacion Social, 70, 2015.
Revista Latina

Metadata - 2016

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<title>RLCS, Revista Latina de Comunicacion Social</title>
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<meta name="DC.title" content="Celebrities, gender-based violence and women‘s rights: towards the transformation of the framework of recognition?"/>
<meta name="DC.creator.personalName" content="MJ Gámez Fuentes"/>
<meta name="DC.contributor.editor" content="JM de-Pablos-Coello"/>
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<meta name="DC.Date.availableated"lang="en" scheme="iso8601" content="2016"/>
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<meta name="digital objet identifier, DOI" content="10.4185/RLCS-2016-1123en"/>
<meta name="DC.Description" lang="en" content="Revista Latina de Comunicacion Social, RLCS, is a scientific journal edited at the University of La Laguna, ULL (Tenerife, Canary Islands) in the Laboratory of Information Technologies and New Analysis of Communication, LATINA according to its initials in Spanish, founded in 1987 by Dr. José Manuel de-Pablos-Coello, under the protection of special doctorate programmes for Latin American professors. The journal publishes under the main summary almost exclusively research papers written following the formula IMR&DC+B: introduction, methodology, results and discussion plus conclusion, with a updated bibliography: at least 70% of the bibliographic entries must be from the past 10 years and half of them from scientific journals in Spanish and English languages. Reviewers make a double blind peer examination. This is a collective and inter-university project, including many professors and researchers from almost all Spanish and Portuguese speaking countries. The journal is the following databases: SCOPUS, EBSCO (USA), DOAJ (Lund University, Sweden), Redalyc (Mexico), Dialnet (Spain); and is indexed by the CINDOC-CSIC in DICE, ISOC, RESH, Office of Latin American Education, OEI according to its initials in Spanish; Dulcinea... and at 2011, in Scopus. In Spain the journal is a reference in the Directory of Index of Spanish Periodicals of Social and Communication Sciences, IN-RECS, of the University of Granada, UGR. RLCS occupies the first position in the cumulative index for the periods 2003-2007; 2004-2008, 2005-2009 and the years 2008. 2009 and 2010. For the fourth consecutive year, in 2011 RLCS was positioned in the top quartile of the Impact Factor Index of the Spanish Journals of Communication (In RECS). Included in the top 100 of journals in Google Scholar's Spanish language, years 2014, 2013 and 2012. In 2015, in the position 25 of the scientific journalss in Spanish Languages more mentioned, according to Google Scholar Metrics, GSM, and for the second consecutive year (2013, 2014) in the first cuartil (Q1) of the journals of Social Communication, of agreement to the international ranking based on GSM that realizes the University of Granada."/>
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<meta name="DC.description.abstract" content="ABSTRACT:Introduction. Due to the limitations of the current framework of recognition of gender-based violence, this article analyses the possibilities of the actions performed by celebrities in the transformation of such framework and in the fight for women‘s rights. To this end, we propose the concept of ―ethical witnessing‖. Methods. The study proposes an analytical model based on the operationalisation of this concept applied to the examination of the representational practices that may destabilise the current hegemonic configuration and re-signify the subject-victim relationship of violence. The four dimensions of analysis are: the relations generated between the subject-victim and the witness; the degree of transgression of the reified representational models of the subject-victim; the focus on agency; and the connection with women‘s fights for their rights and other social movements. This model is applied to three case studies: Beyoncé‘s musical performances; the interview with actress Carmen Maura, and Emma Watson‘s #HeForShe media campaign. Results. The study discusses the possibilities of the discursive practices stemming from postfeminist principles. A new image emerges to contrast the image of women as victims: the image of successful women who find a balance between feminist vindications and the fight against gender-based violence with consumerism, materialism and capitalism. This image enables the destabilisation of the narrative about violence, but it does not constitute a re-signification of the framework of recognition, as it can be co-opted by the ―celebrity economy‖, can be absorbed by liberal feminism, or can be disassociated from the collective fight, which complicates the comprehension of the shared nature of vulnerability."/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.keywords" content="Keywords:Gender-based violence, ethical witnessing, victimisation, popular culture, celebrities, post-feminism."/>
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<meta name="DC.publisher.corporateName" content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Informacion y Nuevos Análisis de Comunicacion, LATINA"/>
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<meta name="DC.relation.isPartOf" content="1138-5820" scheme="ISSN"/>
<meta name="DC.rights"content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Informacion y Nuevos Análisis de Comunicacion, LATINA"/>
<meta name="DC.TERMS.bibliographicCitation" content="MJ Gámez Fuentes, E Gómez Nicolau, R Maseda García (2016): “Celebrities, gender-based violence and women‟s rights: towards the transformation of the framework of recognition?”. Revista Latina de Comunicación Social, 71, pp. 833 to 852.
DOI: 10.4185/RLCS-2016-1123en"/>