Metadatos. Revista Latina de Comunicacion Social, 72, 2017.
Revista Latina

Metadata - 2018

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<title>RLCS, Revista Latina de Comunicacion Social</title>
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<meta name="DC.title" content="European Jewels: Camerimage, the uniqueness of a festival devoted to the art of cinematography"/>
<meta name="DC.creator.personalName" content="L Cortés-Selva"/>
<meta name="DC.contributor.editor" content="JM de-Pablos-Coello"/>
<meta name="DC.contributor.address" content="jpablos@ull.es"/>
<meta name="DC.Date.availableated"lang="en" scheme="iso8601" content="2018"/>
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<meta name="digital objet identifier, DOI" content="10.4185/RLCS-2017-1272en"/>
<meta name="DC.Description" lang="en" content="Revista Latina de Comunicacion Social, RLCS, is a scientific journal edited at the University of La Laguna, ULL (Tenerife, Canary Islands) in the Laboratory of Information Technologies and New Analysis of Communication, LATINA according to its initials in Spanish, founded in 1987 by Dr. José Manuel de-Pablos-Coello, under the protection of special doctorate programmes for Latin American professors. The journal publishes under the main summary almost exclusively research papers written following the formula IMR&DC+B: introduction, methodology, results and discussion plus conclusion, with a updated bibliography: at least 70% of the bibliographic entries must be from the past 10 years and half of them from scientific journals in Spanish and English languages. Reviewers make a double blind peer examination. This is a collective and inter-university project, including many professors and researchers from almost all Spanish and Portuguese speaking countries. The journal is the following databases: SCOPUS, EBSCO (USA), DOAJ (Lund University, Sweden), Redalyc (Mexico), Dialnet (Spain); and is indexed by the CINDOC-CSIC in DICE, ISOC, RESH, Office of Latin American Education, OEI according to its initials in Spanish; Dulcinea... and at 2011, in Scopus. In Spain the journal is a reference in the Directory of Index of Spanish Periodicals of Social and Communication Sciences, IN-RECS, of the University of Granada, UGR. RLCS occupies the first position in the cumulative index for the periods 2003-2007; 2004-2008, 2005-2009 and the years 2008. 2009 and 2010. For the fourth consecutive year, in 2011 RLCS was positioned in the top quartile of the Impact Factor Index of the Spanish Journals of Communication (In RECS). Included in the top 100 of journals in Google Scholar's Spanish language, years 2014, 2013 and 2012. In 2015, in the position 25 of the scientific journalss in Spanish Languages more mentioned, according to Google Scholar Metrics, GSM, and for the second consecutive year (2013, 2014) in the first cuartil (Q1) of the journals of Social Communication, of agreement to the international ranking based on GSM that realizes the University of Granada."/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.description.abstract" content=" ABSTRACT: Introduction. Camerimage is one of the scarce festivals devoted to cinematography that has received limited attention. Objectives. This research studies its strategies to promote cinematography; photographic styles boosted and impact on cinematographer’s professional career. Methodology. A mixed method approach is used with qualitative and quantitative techniques: participant observation; analysis of the programs and documents published by the festival; content analysis of the awarded films and analysis of the Internet movie database. Results and conclusions. Camerimage axes are cinematographers, audiovisual works excellent in cinematography and an audience concerned with the quality of cinematic images. Camerimage strategy is based on the awards given to excellence in cinematography, supporting continuous training, fostering networking among film creators; and building a community.This festival promotes a meticulous high contrast and scarce colour saturation cinematography adapted to each story, dominated by drama genre mainly focused in past time periods. Camerimage implies an impact in the professional career of men directors of photography from centre and north of Europe that get to increase their participation in the north American industry. "/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.keywords" content="Keywords: Camerimage; cinema; film festival; cinematography, industry; strategy."/>
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<meta name="DC.publisher.corporateName" content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Informacion y Nuevos Análisis de Comunicacion, LATINA"/>
<meta name="DC.date.issued" content="2018"/>
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<meta name="DC.identifier content="http://www.revistalatinacs.org/073paper/1272/31en.html"/>
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<meta name="DC.identifier" content="http://www.revistalatinacs.org/073paper/1272/RLCS-paper1272en.pdf"/>
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<meta name="DC.relation.isPartOf" content="1138-5820" scheme="ISSN"/>
<meta name="DC.rights"content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Informacion y Nuevos Análisis de Comunicacion, LATINA"/>
<meta name="DC.TERMS.bibliographicCitation" content= "L Cortés-Selva, M Jurado-Martín, L Ostrovskaya (2018): “European Jewels: Camerimage, the uniqueness of a festival devoted to the art of cinematography”. Revista Latina de Comunicación Social, 73, pp. 614 a 632.
http://www.revistalatinacs.org/073paper/1272/31en.html
DOI: 10.4185/RLCS-2017-1272en"/>