Revista Latina

Metadata - 2011
DOI: 10.4185/RLCS-66-2011-936-326-349

<title>RLCS, Revista Latina de Comunicación Social</title>
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<meta name="DC.title" content="The filmic emotion. A comparative analysis of the cinematographic theories”/>
<meta name="DC.creator.personalName" content="Dr. Imanol Zumalde-Arregi"/>
<meta name="DC.creator.address" content=""/>
<meta name="DC.contributor.editor" content="Dr. José Manuel de-Pablos-Coello"/>
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<meta name="DC.Date.availableated"lang="es" scheme="iso8601" content="2011"/>
<meta name="resource-type" content="scientific paper"/>
<meta name="distribution" content="Global"/>
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<meta name="rating" content="General"/>
<meta name="digital objet identifier, DOI" content="DOI: 10.4185/RLCS-66-2011-936-326-349-EN"/>
<meta name="DC.Description" lang="en" content=“Revista Latina de Comunicación Social, RLCS, is a scientific journal edited at the University of La Laguna, ULL (Tenerife, Canary Islands) in the Laboratory of Information Technologies and New Analysis of Communication, LATINA according to its initials in Spanish, founded in 1987 by Dr. José Manuel de-Pablos-Coello, under the protection of special doctorate programmes for Latin American professors. The journal publishes under the main summary almost exclusively research papers written following the formula IMR&DC+B: introduction, methodology, results and discussion plus conclusion, with a updated bibliography: at least 70% of the bibliographic entries must be from the past 10 years and half of them from scientific journals in Spanish and English languages. Reviewers make a double blind peer examination. This is a collective and inter-university project, including many professors and researchers from almost all Spanish and Portuguese speaking countries. The journal is the following databases: EBSCO (USA), DOAJ (Lund University, Sweden), Redalyc (Mexico), Dialnet (Spain); and is indexed by the CINDOC-CSIC in DICE, ISOC, RESH, Office of Latin American Education, OEI according to its initials in Spanish; Dulcinea, etc. In Spain the journal is a reference in the Directory of Index of Spanish Periodicals of Social and Communication Sciences, IN-RECS, of the University of Granada, UGR. RLCS occupies the first position in the cumulative index for the periods 2003-2007; 2004-2008 and the year 2008.”/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.contributor.referee I" content="REPORTS: Through the classical scheme of exposition, development and conclusion, the author clearly explains the object of study and offers a pleasant reading of a complex theme. The type of work presented is highly positive because it is critical, innovative and uncommon in our country and history. The author reviews in details the theorists that have dealt with the object of study and effectively dissects each methodological proposal. In this way, the author highlights all the problems that the filmic emotion and reception has aroused among researchers, and provides an appropriate framework of study for subsequent analysis. Agustín Gómez, Ph.D. - University of Malaga (UMA)."/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.contributor.referee II" content="Reports on the article: This is a theoretical work that is urgently needed in film studies in our country. After the critical review and analysis of some of the theoretical proposals concerned with the filmic emotion, the article reaches very valuable conclusions for all those who study the effects and responses triggered by texts in their readers. The article is well organized and relevant. The discussion and conclusions are consistent with the results and there are no striking absences in the bibliography. The article is publishable without modifications. Pedro Poyatos, Ph.D. – University of Huelva."/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.description.abstract" content="Abstract:This text tries to explain the bases of filmic emotion. As we don’t share one same idea about the way the filmic texts play with the emotional world of the empiric spectator, the next pages look deep in the large kind of arguments and approaches through which filmic theory has tried to explain the catalog of emotions that a film raises in its spectator. This account reveals that one conflict exists between lector and context–oriented theories and these that looks directly to the text. We can choose, in fact, between two approaches in order to evaluate the emotional effects raised by the films. One, the Cultural Studies approach is based on pragmatics and gender oriented theories, focusing on social and subjective conditions through which cinema is always experienced. The other one, mostly oriented by a structural, cognitive and semiotic approach looks deep in the way the filmic text directs the spectatorial approach. In a no man’s land we can find the psychoanalytical theory thinking the filmic experience just as a simulation of daily life."/>
<meta name="DC.Description.tableOfContents" lang="en"/>
<meta name="DC.keywords" content="Keywords: filmic emotion, Psychoanalysis, cognitivism, Cultural Studies, reception theory, structural semiotic."/>
<meta name="DC.identifier" LANG="es" SCHEME="URI"/>
<meta name="DC.publisher.corporateName" content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación, LATINA"/>
<meta name="" content="2011"/>
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<meta name="DC.relation.isPartOf" content="1138-5820" scheme="ISSN"/>
<meta name="DC.rights"content="Universidad de La Laguna (Tenerife, Islas Canarias). LAboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación, LATINA"/>
<meta name="DC.TERMS.bibliographicCitation" content="Zumalde-Arregi, I. (2011): "The filmic emotion. A comparative analysis of film theories", at Revista Latina de Comunicación Social, 66, pages 326 to 349. La Laguna (Tenerife, Canary Islands): La Laguna University, retrieved on ___th of ____ of 2_______, from
DOI: 10.4185/RLCS-66-2011-936-326-349-EN